Miri Karraker

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<channel>
	<title>Miri Karraker</title>
	<link>https://miriamkarraker.com</link>
	<description>Miri Karraker</description>
	<pubDate>Fri, 05 Jun 2026 15:22:46 +0000</pubDate>
	<generator>https://miriamkarraker.com</generator>
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		<title>dawn noon dusk midnight</title>
				
		<link>https://miriamkarraker.com/dawn-noon-dusk-midnight</link>

		<pubDate>Fri, 05 Jun 2026 15:22:46 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/dawn-noon-dusk-midnight</guid>

		<description>Dawn Noon Dusk Midnight, co-authored with Caroline Rayner. Spiral Editions, 2025.


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		<title>garden path</title>
				
		<link>https://miriamkarraker.com/garden-path</link>

		<pubDate>Fri, 05 Jun 2026 15:18:58 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/garden-path</guid>

		<description>garden path,&#38;nbsp;Community Mausoleum, 2026.&#38;nbsp;
Reviewed by olga mikolaivna in DIAGRAM:&#38;nbsp;“A "path towards" does not lead towards anything, it is simply a path, a square meter, a place where space converges along with other ideas, feelings, entities, and&#38;nbsp;information as though an outline.” 


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		<title>angels' rest</title>
				
		<link>https://miriamkarraker.com/angels-rest</link>

		<pubDate>Fri, 05 Jun 2026 15:17:48 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/angels-rest</guid>

		<description>
ANGELS’ REST&#38;nbsp;Collective effervesence, courting the sublime. Happenings in my garden in South Minneapolis. Cash bar and culinary amusements for neighborhood mutual aid. Closed for the season--see you in 2027, in a new form to be sure.&#38;nbsp;
 10/2/26: Alex Benick, Eric Benick, Nick Rossi, and Natalie Stamatopoulous-Pilimai

9/12/26: STONE POETS reading and celebration.&#38;nbsp;8/22/26: Jenkin Benson, Oli Peters, Noah Loveless, DJ John Cagematch&#38;nbsp;

7/25/26: HEAVENLY BODIES, collaborative reading with Poetry Church. July 25. Amalia Tenuta, jimmy cooper, Mair Allen, and Timothy Otte.&#38;nbsp;6/20/26: Lyn Correlle, William Statler, Annie Grizzle 
5/30/26: Garden Path book release with Lara Mimosa Montes, MC Hyland, Brendan Sherry and myself. Sounds by DJ Psychic Damage, cake by Taylor.
7/24/25: Briana Marela, Mitch Stahlmann, Nadia Hulett.

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</description>
		
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	<item>
		<title>HOME</title>
				
		<link>https://miriamkarraker.com/HOME</link>

		<pubDate>Sat, 03 Mar 2018 18:19:51 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/HOME</guid>

		<description>

</description>
		
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	<item>
		<title>about </title>
				
		<link>https://miriamkarraker.com/about</link>

		<pubDate>Sat, 03 Mar 2018 18:19:51 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/about</guid>

		<description>


ABOUT/CONTACT ❧


I live and work in Minneapolis.
Email me at: miri(dot)karraker(at)pm(dot)me&#38;nbsp;</description>
		
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	<item>
		<title>texts</title>
				
		<link>https://miriamkarraker.com/texts</link>

		<pubDate>Tue, 27 Aug 2019 15:05:11 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/texts</guid>

		<description>
ALL (more or less)&#38;nbsp; ❧

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Longer &#38;nbsp;
GARDEN PATH (Community Mausoleum, 2026)&#38;nbsp;&#38;nbsp;
DAWN NOON DUSK MIDNIGHT (with Caroline Rayner, Spiral Editions, 2025)

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

WORKS ON PAPER OR WITHOUT&#38;nbsp; (QXIZ Editions, 2017)

Shorter&#38;nbsp;

Cleveland Review of Books
asides//besides (Essay Press--sold out, sorry :(((( )

Coma

Works &#38;amp; Days&#38;nbsp;

Landfill&#38;nbsp;


Luigi Ten Co&#38;nbsp;


Noir Sauna (best on desktop)

SPECTRA

Poetry&#38;nbsp;


fLoromancy


BOAAT

3:AM
 
Tagvverk


Gulf Coast 30.1

Gigantic Sequins

Indiana Review


Futurepoem

poets.org&#38;nbsp;

MnArtists&#38;nbsp;&#38;nbsp;


Reviews + Interviews 
&#38;nbsp;
Interview with Ariel Yelen, Cleveland Review of Books

Interview with Mike Lala, Poetry Project Newsletter
Interview with Renee Gladman, Poetry Project Newsletter

Interview with Joey Yearous Algozin,&#38;nbsp;The Believer

On Etel Adnan, DIAGRAM


On Mara Duvra for INREVIEW&#38;nbsp;
On Renee Gladman for Kenyon Review Online
On Gabriela Torres Olivares for Lambda Literary
On Hoa Nguyen for Full Stop
On MACRO for DIAGRAM
	 

On Brenda Iijima for DIAGRAM
On Rosmarie Waldrop for 3:AM
 On Padgett Powell for Full Stop


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		<title>POND </title>
				
		<link>https://miriamkarraker.com/POND</link>

		<pubDate>Thu, 23 May 2019 03:10:59 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/POND</guid>

		<description>TE:01 FOR TAGVVERK

Link to the project: http://oral.pub/POND/


&#60;img src="https://tvverk.files.wordpress.com/2018/09/pond.png?w=739&#38;amp;h=260"&#62;


Curatorial Statementby Miri Karraker with Theo Ellin Ballew

Think pond: standing water, its murk, the likely threat of mosquito breeding. Ponds are perhaps the lowliest waterbody, second only to puddles. They lack the majesty of a lake, river, or ocean. Yet, there is a certain appeal in the pond's particular isolation. They sometimes arise out of naturally occurring depressions on the land, sometimes because humans make them. Within the humble form of the pond, there is considerable variation, depending on water nutrient levels, the amount of sunlight or shade, the presence or absence of streams, shore animal activity, and seasonal flooding or lack thereof. I wanted to explore what would happen if people were asked to make work within a somewhat closed system, how they would play with, bump into, and rail against limits. Theo Ellin Ballew, who did web conception and construction for this project, and I chose the pond as a metaphorical embodiment of such limits. Theo designed a flexible web format we called POND, which would "contain" and "bind" contributions as physical galleries or printed publications do. The POND parameters are not more stringent than those of more traditional binding/containing practices — but their newness made them more deeply felt. We sent all artists this POND example, along with the following parameters: You're making a pond and you're putting things in it. Container/Pond parameters:Must be rectangular, white on black backgroundNo edge of the pond exceeds the computer screen (we'll worry about different screen sizes for you)Side lengths must have measurements that change in relation to the screen sizeObjects/Flotsam (what goes in your pond) parameters:5-10 items (video, image, or text) total, all of which can be moved by user, and are lost when moved outside the pondNo more than 150 words of text totalNo video can last longer than 5 minConsider each pond a sketch, a piece of a broader practice placed under additional pressure. Consider these signs of threatened and threatening life. 


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;</description>
		
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		<title>WORKS ON PAPER OR WITHOUT</title>
				
		<link>https://miriamkarraker.com/WORKS-ON-PAPER-OR-WITHOUT</link>

		<pubDate>Sat, 03 Mar 2018 18:19:51 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/WORKS-ON-PAPER-OR-WITHOUT</guid>

		<description>WORKS ON PAPER OR WITHOUT is a fine
press book (fabricated by QXIZ Editions) and was a temporary installation on October 20, 2017 at MirrorLab Studios in Minneapolis, from 7 to
9 PM. The book can now be viewed by appointment in the Walker Art Center Library.&#38;nbsp;
Poems and drawings sewn through the fold with blue thread with uniquely dyed indigo and walnut flax paper by Cave Paper. Ten screenprinted images on 100% rayon tissue accompanying the text. Back cover pocket unfolds its contents: nine event scores. Edition of 35. All copies signed. &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp;


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Book documentation by Jonathan Kaiser: 


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Installation documentation by Ben Lansky


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Post-show cellphone shot by me.&#38;nbsp;</description>
		
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		<title>sound</title>
				
		<link>https://miriamkarraker.com/sound</link>

		<pubDate>Tue, 27 Aug 2019 15:22:18 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/sound</guid>

		<description>
SOUND&#38;nbsp;Casette for . / ~` dustsceawung `~ /&#38;nbsp; .&#38;nbsp; (w/ Mitch Stahlmann + Noah Ophoven Baldwin) is out on Public Eyesore Records.&#38;nbsp;
Listen to my performance with Christina Marie-Karr Lyon on Sounds Unexpected here.&#38;nbsp;My project MOTE, with Cole Pulice, is on hiatus.&#38;nbsp;

 &#38;nbsp; &#38;nbsp;
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	<item>
		<title>facilitation </title>
				
		<link>https://miriamkarraker.com/facilitation</link>

		<pubDate>Sun, 06 Mar 2022 17:18:47 +0000</pubDate>

		<dc:creator>Miri Karraker</dc:creator>

		<guid isPermaLink="true">https://miriamkarraker.com/facilitation</guid>

		<description>facilitation 

❧

PASTI used to edit TAGVVERK, alongside Barrett White. 
I’ve also led occasional workshops for small groups and instititions, online and in-person, often centered on somatics, public space, and collaborative writing modalities. Former clients/collaborators include The Walker Art Center, Field Experience, and Coffee House Press. If you would like to collaborate, please contact me.&#38;nbsp;
From 2024-2025 I ran an occasional book club on Zoom, focused on collaborative texts. This group is on hiatus indefinitely. Our readings:&#38;nbsp;
2025A Black Story May Contain Sensitive Content - Lillian-Yvonne BertramThe Antiphon - Djuna Barnes Pink Waves - Sawako Nakayasu 
Experiments in Joy - Gabrielle Civil 
The Cave - Clark Coolidge and Bernadette Mayer
Concordance - Mei-mei Berssenbrugge and Kiki Smith 
Sight - Lyn Hejinian and Leslie Scalapino 

2024 Dictee - Theresa Hak Kyung Cha Black Bedouin - Mohammed Zenia and Tenaya NasserMouth Eats Color - Sawako Nakayasu with Chika Sagawa &#38;nbsp;Tone - Sofia Samatar and Kate Zambreno 
The Waves - Virginia Woolf 

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Photo of workshop for Field Experience taken by Michael J. Spear</description>
		
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